My main idea for my performance was creating a DJ set that went beyond just transitioning between tracks and more about creating my own distinct mixing style. I wanted to explore how I could DJ in a more creative way by building “hybrid” tracks out of layering different sonic material on top of one another through looping and triggering hot cue pads. I looked at how I could use the internal effects present on the decks such as such as reverb, echo and filtering to enhance the performance, adding variety and accentuating certain parts of the piece. These effects also assisted me in transitioning between tracks, building and releasing tension to amplify the drop. To keep my performance interesting and not static, I experimented with fader cuts throughout which served as interesting gestures.
I researched several different artists who are known for their distinctive mixing styles. A key inspiration and point of reference for my performance was an artist called Chlär. His sets are often charactered by his use of four decks, layering multiple tracks on top of each other to create unique grooves and unrecognisable soundscapes. During his mixes he is often seen utilising a technique known as fader cutting which is a precise movement of cutting the volume fader up and down in sync with the beat to create chops which enhance groove. Whilst this technique isn’t necessarily a transitional tool, they can be used to add interesting gestures to sections of tracks where there isn’t much going.
During mixing he also uses filtering, more specifically the use of a high pass filter to build and release tension. This technique is particularly useful in creating artificial build-ups where a track my not include one. I used these techniques as a reference for my own performance and tried to replicate them in the context of my own set whilst paying attention not to abuse them through overuse.
Another artist that provided some interesting ideas was Guy Contact and how he uses effects to enhance transitions. I observed that his transitions often included effects like reverb and filtering which help in not making them too abrupt or dry. As well as this I studied how he used the EQ’s, particularly the low band in aiding transitions and how he carefully timed switching the bass of both tracks on phrase keeping the set flowing.
I found La La’s style of mixing was a middle ground between both the artists previously mentioned as she utilises effects, looping and layering throughout her set.
Below I have included some links to examples which showcase these ideas.
- Chlär |Boiler Room x Glitch Festival 2023 https://www.youtube.com/watch?v=Xy_YQtgzFY0&t=1989s
- Funk Assault at Intercell
- Haŵs – Guy Contact | HÖR
- LA LA classy house and techno set in The Lab LDN